Monday, August 25, 2014

Weeks 1-2: Fred Wah's "is a door" (2009)



In a way, it's a total no-brainer to choose Fred Wah as a poetic representative of Canada, considering that he served as the Canadian Parlimentary Poet Laureate from 2009–2011 — certainly, state-appointed honors deserve special consideration, no? More importantly, Wah represents Canada's unique status as both an independent entity and a former British colony, as well as a cultural crossroads through his diverse ethnicity (his father, raised in China, is part Chinese and part Scots-Irish; his mother was born in Sweden and emigrated as a child). Likewise, Wah's literary career has embraced a similar diversity, yielding award-winning work in both poetry and fiction, as well as literary scholarship.

is a door (2009) is Wah's latest collection, coming almost half a century after his literary debut, and its origins are geographically and temporally diverse. The first section, "Isadora Blue," has its origins in Wah's experience of Hurricane Isadore while visiting Mexico in 2002, while section two, "Ethnogy Journal" was composed during a 1999 journey through Laos and Thailand. Wah's perspective as visitor and native, both at home and abroad, carries over into the book's other sections, where he explores notions of place and personhood including otherness, diaspora and "the other side of the tracks."  One question we'll seek answers to throughout the term is how a poet from a given country does and doesn't represent, whether overtly or subtly, the character and ideology of her homeland — and this is why, in part, we'll end our class by looking at two US poets. In Fred Wah, we have an excellent opportunity to explore these ideas from various angles.

Here's our reading schedule for is a door:
  • Thurs. August 28: "Isadora Blue"
  • Tues. September 2: "Ethnogy Journal" and "Discount Me In"
  • Thurs. September 4: "Hinges" 

And here are several additional resources (pay special attention to the first):

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